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Equestrian Statue of Bartolomeo Colleoni
Painting ID:: 41224
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Andrea del Verrocchio
Equestrian Statue of Bartolomeo Colleoni
mk157
1481-94
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Head of a Girl
Painting ID:: 51014
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Andrea del Verrocchio
Head of a Girl
Drawing British Museum, London
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Tobias and the Angel
Painting ID:: 51772
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Andrea del Verrocchio
Tobias and the Angel
nn09
c.1470-800
33x26in
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Christ-s baptism
Painting ID:: 53715
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Andrea del Verrocchio
Christ-s baptism
mk234
about 1470
180x152cm
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Madonna with Sts John the Baptist and Donatus Cathedral of Pistoia
Painting ID:: 61446
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Andrea del Verrocchio
Madonna with Sts John the Baptist and Donatus Cathedral of Pistoia
Madonna with Sts John the Baptist and Donatus (1475-83), Cathedral of Pistoia
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Andrea del Verrocchio
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Italian Early Renaissance Sculptor, ca.1435-1488
Florentine sculptor and painter, whose real name was Andrea di Michele di Francesco di Cioni. He was a leading figure in the early Renaissance, and his workshop was a center for the training of young artists in Florence. A virtuoso metalworker, Verrocchio was primarily concerned with the spirited rendering of movement and the elaboration of detail. Many of his paintings are lost. Of the remaining panels, his hand is evident in the Baptism of Christ (Uffizi), assisted by Leonardo da Vinci. In the Pistoia altarpiece he was aided by Lorenzo di Credi. Other attributions are Tobias and the Angel (National Gall., London), two paintings of the Madonna and Child (National Gall., London; Berlin), and a Crucifixion with Saints (Argiano). Most of Verrocchio's achievements in sculpture have survived. His earlier work includes the bold group Incredulity of St. Thomas (Orsanmichele). In 1472 he designed the tombs of Piero and Giovanni de' Medici (San Lorenzo). In the same period he created the graceful Boy with a Dolphin and a lithe portrayal of David (Bargello). He went to Venice (c.1480) to work on the equestrian monument of the condottiere Bartolomeo Colleoni. |
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Related Artists::.
| anna brondum | Pontormo | Francesco Peluso | |
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